scoobdog

I love a... Damn it.

I have a feeling the shameful part got edited.

You did the right thing by insisting that it's more than just depression. Sometimes others can't deal with the thought that you are unable to express what is causing you duress, but given the kind of traumas the human mind is capable of suppressing, the fact that she wouldn't listen to you is beyond negligent. Not that I want you to relive any kind of hidden trauma, it might be worth it just talking with a counselor at your school's health services as you try to find a different psychiatrist.

Any banker could tell you the cost of replacing centralized heating and cooling isn't recouped in a sale of a multi resident facility. They would just as soon take it all out (along with the cost of maintenance) and invest in upgrading the stuctural, electrical, or plumbing systems.

This:

Wut?

No, Kenny, they don't sell those kinds of electronic devices.

Central air doesn't add value, so no, you're shithole isn't getting air conditioning.

Low profile?

You should never post polls late at night. You'll get like one vote, and the fucker won't even say anything.

With his nieces.

Looking forward to it, man.

Shut up, Westpark.

I agree. But, I've been trying to gauge his responses to see who he really is.

I know a bit about modes but not a lot since I didn't study music and don't compose (or play a string instrument for that matter), so that sounds right to me. The important thing to remember is that any musical structure exists to create conflict and provide a resolution to it. It could be as simples as a bugle call where the first part of the musical command is "resolved" by the second part. In a typical Sousan march, there's a break up strain of a different mode that creates conflict which is then resolved by the "D" strain. The point, of course, is that there's an underlying tension in musical harmony that can be exploited for dramatic effect much in the same way a writer uses climax and denonument to build suspense. The best part is that you don't really need to learn the names at first; just listening to the tunes that you enjoy for tension and resolution gives you a great starting point. What about playing Pentatonic scales do you enjoy? I mean, it is just playing a scale, but what sounds does it generate that you enjoy hearing?

It's "dindu" . Fucking cracker dindu nuffin right.

No, just sawdy so far.

I never joke. And, no, that wasn't terrible. You've got great tempo. I'm not a guitarist myself, but your fingerwork looked pretty spot on as well. Considering that was just little over 2 minutes, it was definitely a great foundation for a longer solo. I liked it a lot. You just have to channel that 2 minutes into something longer. You have more than enough in your life to tell a story with your blues guitar. Have you listened to the greats? B.B. King is probably one of the best you'll ever hear because he makes it so effortless. Start listening to guys like that and you'll get a better sense of how to construct a blues song.

You know, I would a think a banker would know better than pissing off his fellow bankers by making money transfers of ... a penny.

Physically, not mentally.

Pfft.

Uh, what kind of assignment is that?

Well, you see, stilgar started this all out by reminding us all how incredibly old you are.

Hah. Elephants don't "sneak" anywhere.

Everywhere! It's free love, man.....