Jman

Bravestarr?

I do think Toonami gets less credit for making the stuff cool again but at the same time it arrived as companies with immense financial resources began to do what no one really had done. Market it with other things in a way that was respectful. The days of 4Kids edits and ultra niche cable on demand services are over. Now these companies outbid Toonami and show it on demand in a way that’s easy to access.

There’s definitely an uptick with social media after it returned. At the same time, now you have Cracked articles about Froppy when she’s a supporting character in anshow only available online.

Toonami possibly convinced Netflix this was a niche market worth tapping into at a greater level, but so could Crunchyroll having comparable subscription figures to the WWE Network.

I saw the casting choices. It looks like a dumpster fire.

Yeah, Netflix keeps giving them dump trucks full of money. Now tell them to hurry up and commission Cannon God Exaxxion already, I need something to rub in the faces of Voltron fans.

Game 7 of the ALCS and college football.

This is apparently the first of a series of animated films.

To be fair, up to Raoh, FOTNS made considerably more sense than DBZ ever did.

It's comparing an action show to a farce. Everyone I know who got into the show did so because of the fights, because they looked cool. It's the definition of style over substance.

The Deuce Episode 6. Seriously, you have a show from The Wire’s creator, and you’re watching Riverdale?

Gundam: The Origin 5.

Mochi thinks everyone is gay or a homophobe.

Vegeta got it way worse with Cooler. “My dick. Why does he keep punching me in the dick?!”

Mochi, everyone in One Piece save Sanji is asexual. Didn’t you get the memo?

You know the second they drop it Netflix WILL get Super and will make an assload from it.

You forgot “everyone else is spending a small fortune to compete and DeMarco is butthurt.”

Well I’m mostly joking as well, but I think those comments are why I still have sort of a love/hate relationship with the block.

I thought it explained my vitriol against Toonami sometimes. Guess not. Someone get me a tiny violin.

I just want to see Toonami fucking burn sometimes. I remember very distinctly once upon a time when ASA was at its low point and suggesting on a website supporting on demand services, and got told “when you’re done sucking ADV’s lucsious cock, the adults will focus on a solution.” Fuck Toonami. Now you’re the outsiders, you’re the freaks, and the tidal wave of On demand is the future. Yeah, ONLY TOONAMI, amirite? Let’s see how FLCL 2: Electric Boogaloo compares with Godzilla.

Amazon cares, and Hulu does too. Not to mention Crunchyroll, but do they count? Point is, DeMarco is pissed I bet.

Maybe the problem is airing the one show everyone wants to see at 8. No carry over. All the stuff does great...when it migrates to Netflix after all.

So all non Dragonball stuff bombed...again. Meanwhile Netflix has announced their plan for 30 new anime projects for 2018. I can hear DeMarco throwing stuff at the wall.

http://www.animenewsnetwork.cc/daily-briefs/2017-10-17/netflix-to-produce-30-new-anime-series-for-2018-release/.122823 Toonami meanwhile seems to be picking up at most, 6 or 7.

This is qualified as someone who watches the entire run within 24 hours of starting. https://www.usatoday.com/picture-gallery/life/tv/2017/10/17/countdown-netflixs-top-20-binge-raced-shows/106714694/ Jason DeMarco could not be reached for comment before ranting about those damn kids and their on demand services.