bnmjy

You seriously try your best to be the worst, huh? :it:

Plot twist Obvious truth: You already fucked him.

i like star wars

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I always change the music station at work, even though the managers get pissed. I changed it to Oktoberfest last time. :it:

20 dollar kyocera

Jared Fogle's sex life.

Did you at least meet up with ghostrek like you had planned? :it:

It's almost one year since Trump became elected president.

Just to let you guys know, you can still bu pumpkin spice lattes until at least Christmas. :it:

You mean she's gonna snip her 5ft futa dick down to Jeremy's 10 inches? ohno

Overwhelming majority of teachers make more than 28k per year. It's more an entry level salary for careers needing associate degrees. I only currently make 24k myself, but I don't intend on this retail job becoming my career.

*28k a year

Packard makes more money than me (for now)

:painfap: + :poop: = :it:

and me but fuck that. :it: Happy birthday!

no

Eh, why not try to get your old hospital janitor job back? It's better than working retail. But even working retail is better than being unemployed.

Not really, I got an A on my college math test. Not that I expect you to give a :poop:

I'm surprised this wasn't posted in the Halloween playlist, but I think this deserves a thread of its own anyway. From wikipedia, describing the background: According to legend, "Death" appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle (here represented by a solo violin). His skeletons dance for him until the rooster crows at dawn, when they must return to their graves until the next year. The piece opens with a harp playing a single note, D, twelve times (the twelve strokes of midnight) which is accompanied by soft chords from the string section. The solo violin enters playing the tritone, which was known as the diabolus in musica ("the Devil in music") during the Medieval and Baroque eras, consisting of an A and an E♭—in an example of scordatura tuning, the violinist's E string has actually been tuned down to an E♭ to create the dissonant tritone. The first theme is heard on a solo flute, followed by the second theme, a descending scale on the solo violin which is accompanied by soft chords from the string section. The first and second themes, or fragments of them, are then heard throughout the various sections of the orchestra. The piece becomes more energetic and at its midpoint, right after a contrapuntal section based on the second theme, there is a direct quote played by the woodwinds of Dies irae, a Gregorian chant from the Requiem that is melodically related to the work's second theme. The Dies irae is presented unusually in a major key. After this section the piece returns to the first and second themes and climaxes with the full orchestra playing very strong dynamics. Then there is an abrupt break in the texture and the coda represents the dawn breaking (a cockerel's crow, played by the oboe) and the skeletons returning to their graves. The piece makes particular use of the xylophone to imitate the sounds of rattling bones. Saint-Saëns uses a similar motif in the Fossils movement of The Carnival of the Animals. [youtube autoplay=1]

I also got Chucky. He's always been one of my least favorite Halloween characters.