nameraka Posted August 16, 2019 Share Posted August 16, 2019 https://www.latimes.com/archives/la-xpm-2001-jun-03-bk-5682-story.html 1 Quote Link to comment Share on other sites More sharing options...
Azalar Hex Posted August 20, 2019 Share Posted August 20, 2019 Utsukushī kaba shimai adobenchā. Some of the scenes are a little too intense and not my taste but the realism is top notch. Quote Link to comment Share on other sites More sharing options...
Azalar Hex Posted August 20, 2019 Share Posted August 20, 2019 Oh shit you said poEM. Then I don't have one, no. Quote Link to comment Share on other sites More sharing options...
GuyBeardmane Posted September 4, 2019 Share Posted September 4, 2019 This reading, the animation, everything about this is gorgeous. Quote Link to comment Share on other sites More sharing options...
Bouvre Posted December 30, 2019 Share Posted December 30, 2019 (edited) I have a lot of favorites but this came to mind as one of my favorite contemporaries Heritage By Kaveh AkbarReyhaneh Jabbari, a 26-year-old Iranian woman, was hanged on October 25th, 2014, for killing a man who was attempting to rape her. the body is a mosque borrowed from Heaven centuries of time stain the glazed brick our skin rubs away like a chip in the middle of an hourglass sometimes I am so ashamed of my sentience how little it matters angels don't care about humility you shaved your head spent eleven days half-starved in solitary and not a single divine trumpet wept into song now it's lonely all over I'm becoming more a vessel of memories than a person it's a myth that love lives in the heart it lives in the throat we push it out when we speak when we gasp we take a little for ourselves in books love can be war-ending a soldier drops his sword to lie forking oysters into his enemy's mouth in life we hold love up to the light to marvel at its impotence you said in a letter to Sholeh you weren't even killing the roaches in your cell that you would take them up by their antennae and flick them through the bars into a courtyard where you could see men hammering long planks of cypress into gallows the same men who years before threw their rings in the mud who watered them five times daily who shot blackbirds off almond branches and kissed the soil at the sight of sprouts then cursed each other when the stalks which should have licked their lips withered dryly at their knees may God beat us awake scourge our brains to life may we measure every victory by the momentary absence of pain there is no solace in history this is a gift we are given at birth a pocket we fold into at death goodbye now you mountain you armada of flowers you entire miserable decade in a lump in my throat despite all our endlessly rehearsed rituals of mercy it was you we sent on Edited December 30, 2019 by Bouvre 1 Quote Link to comment Share on other sites More sharing options...
Bouvre Posted December 30, 2019 Share Posted December 30, 2019 On 8/16/2019 at 8:28 AM, nameraka said: https://www.latimes.com/archives/la-xpm-2001-jun-03-bk-5682-story.html Also, because this poem rekindled my memory of this particular translation from Elizabeth Bishop, of the poet Carlos Drummond de Andrade, I'm going to share this as a sort of honorable mention Don't Kill Yourself Carlos, keep calm, love is what you're seeing now; today a kiss, tomorrow no kiss, day after day tomorrow's Sunday and nobody knows what will happen Monday. It's useless to resist or to commit suicide. Don't kill yourself. Don't kill yourself! Keep all of yourself for the nuptials coming nobody knows when, that is, if they ever come. Love, Carlos, tellurian, spent the night with you, and now your insides are raising an ineffable racket, prayers, victrolas, saints crossing themselves, ads for better soap, a racket of which nobody knows the why or wherefor. In the meantime, you go on your way vertical, melancholy. You're the palm tree, you're the cry nobody heard in the theatre and all the lights went out. Love in the dark, no, love in the daylight, is always sad, sad, Carlos, my boy, but tell it to nobody, nobody knows nor shall know. 2 Quote Link to comment Share on other sites More sharing options...
avec Posted December 31, 2019 Share Posted December 31, 2019 (edited) From M Archive: After the End of the World by Alexis Pauline Gumbs (p. 17) it was no longer a matter of sex. this new molecular relationship made distance and intimacy words that tangled. or to say it another way. we were all close. beyond close. not knowing where one person ended and another began was no longer love-song advertising or evidence of codependency. it was a real issue. so then identity (x=x) was no longer technically true. the previous energetic reality of how we are not whole and change each other and are not ourselves except in the most lim- ited version of our imagination became impossible to ignore on the physical level. so love was not about merging or finding exceptional moments when we could die enough to shrug off the pain of individuality. it was just a certain sound, a vibration, and when we achieved it, it was really all of us. Edited December 31, 2019 by avec Quote Link to comment Share on other sites More sharing options...
Bouvre Posted January 5, 2020 Share Posted January 5, 2020 I would say this is a final favorite poem, but we all know that's bullshit. A Rabbit As King of The Ghosts, by Wallace Stevens The difficulty to think at the end of day, When the shapeless shadow covers the sun And nothing is left except light on your fur— There was the cat slopping its milk all day, Fat cat, red tongue, green mind, white milk And August the most peaceful month. To be, in the grass, in the peacefullest time, Without that monument of cat, The cat forgotten in the moon; And to feel that the light is a rabbit-light, In which everything is meant for you And nothing need be explained; Then there is nothing to think of. It comes of itself; And east rushes west and west rushes down, No matter. The grass is full And full of yourself. The trees around are for you, The whole of the wideness of night is for you, A self that touches all edges, You become a self that fills the four corners of night. The red cat hides away in the fur-light And there you are humped high, humped up, You are humped higher and higher, black as stone— You sit with your head like a carving in space And the little green cat is a bug in the grass. Quote Link to comment Share on other sites More sharing options...
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